Code:
James Brown - The Singles Volume 6 1969-1970
Artist.....: James Brown
Title......: The Singles Volume 6 1969-1970
Label......: Hip-O Select
Store Date.: Jan-27-2009
Genre......: Soul
Encoder....: Lame 3.97 / -V2 --vbr-new
Size.......: 169,4 MB
Code:
Track Listing:
cd1
01 - You Got To Have A Mother For Me (Part 1) 02:53
02 - The Little Groove Maker Me 05:20
03 - You Got To Have A Mother For Me (Long Version) 05:23
04 - I Don't Nobody To Give Me Nothing 03:07
(Open Up The Door, I'll Get It Myself) (Part 1)
05 - I Don't Nobody To Give Me Nothing 02:49
(Open Up The Door, I'll Get It Myself) (Part 2)
06 - I Love You 03:35
07 - Maybe I'll Understand 03:19
08 - Any Day Now 03:31
09 - I'm Shook 02:52
10 - The Popcorn 03:04
11 - The Chicken 02:50
12 - Mother Popcorn 03:18
(You Got To Have A Mother For Me) (Part 1)
13 - Mother Popcorn 03:07
(You Got To Have A Mother For Me) (Part 2)
14 - Lowdown Popcorn 02:48
15 - Top Of The Stack 02:50
16 - World (Part 1) 03:12
17 - World (Part 2) 02:59
18 - Let A Man Come In And Do The Popcorn Part One 03:06
19 - Sometime 03:07
20 - I'm Not Demanding (Part 1) 02:57
cd2
01 - It's Christmas Time (Part 1) 03:12
02 - It's Christmas Time (Part 2) 03:16
03 - Ain't It Funky Now (Part 1) 03:10
04 - Ain't It Funky Now (Part 2) 03:15
05 - Popcorn With A Feeling 02:58
06 - Part Two (Let A Man Come In And Do The Popcorn) 03:10
07 - Gittin' A Little Hipper (Part 2) 02:11
08 - The Brother Got To Rap (Part 1) 03:14
09 - The Brother Got To Rap (Part 2) 03:42
10 - It's A New Day (Part 1 & Part 2) 05:50
11 - Georgia On My Mind 04:23
12 - Funky Drummer (Part 1) 02:38
13 - Funky Drummer (Part 2) 02:56
14 - Let It Be Me 02:58
15 - Talkin' Loud And Saying Nothin' 05:12
(Part 1 & Part 2)
16 - Bewildered 03:01
17 - Brother Rapp (Part 1 & Part 2) 05:26
18 - A Man Has To Go Back To The Crosroads 03:04
19 - The Drunk 03:06
ÄÄÄÄÄ
cd1: 66:07 cd2: 66:42
Code:
Release Notes:
http://www.cduniverse.com/productinfo.asp?pid=7800169
The amazing, exhausting project documenting the complete singles
of the late James Brown, rolls on with this stunning sixth volume.
These 38 tracks follow Brown through a mere two years in his
astonishing career. Of course, in 1970, Brown was still going
strong on the charts and in the popular consciousness even though
he had lost his Flames by that time. Maceo Parker remained with
Brown as his creative partner and foil, he also employed the great
Pee Wee Ellis as arranger,and his main drummer was the brilliant
Clyde Stubblefield.
Fans of this series already know that Brown was an impulsive, even
obsessive taskmaster when it came to documenting the ideas he and
the band came up with. They recorded on the road as well as at
King's studios, and on stages all over the nation. Whenever some
jam came together, they recorded it -- even if it mutated itself
into several other compositions. A-sides and B-sides were
different depending on whether the disc was released as a
promotional item or as a record for retail. All of that is
painstakingly documented here, just as it was on previous volumes.
Major selections on this set include the various mutations and
versions of the Brown classic "Mother Popcorn." Long before the
track emerged in that form it began as "You Got to Have a Mother
for Me, Pt. 1" (the original prototype), and of course, "The
Popcorn." Other smashes here include both parts of "Ain't It Funky
Now," "Talkin' Loud and Sayin' Nothin'," "Brother Rapp," "World,"
"I'm Shook," his reading of "Georgia on My Mind," and the funk
whomp Christmas single "It's Christmas Time," just to name a few.
This is a killer collection simply for its more open, new
directional approach which Brown and Ellis were developing with
the band. The liners are, as has been the standard, incredibly
detailed with full session and discographical information --
there's even an analysis of Stubblefield's drumming patterns -- by
Alan Leeds. For anyone who has begun collecting this series, you
have little choice but to continue with this excellent volume. For
anyone considering it, this may be a daunting project to take in,
but in many ways, it's the only way to truly appreciate the full
range and depth of Brown's genius.
enjoy..
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